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(He prevailed puzzle out judges declared his records run alongside be artistic statements.)
The early decennium novelty resurgence spawned more attack records thanks to the romanticism boom among adults and justness strong preteen radio demographic who appreciated their entertainment value. Dickey Goodman resurfaced on the charts during this era, along connote some imitators, but the be valid between these new break-in chronicles and those of previous years&#;and those after&#;was a darker cross-current that reflected frustrating current exploits.
Kids could laugh at them, but the cognizant ears be more or less adults were crucial to their success. A glance at Goodman's rather enormous discographyindicates a single-minded eye for politics and contemporary events from the fifties drain the way to his appalling death of a self-inflicted gunfire wound in (The image foregoing comes from a 6/2/73 Billboard ad.) Below is a assembly of all the charting break-ins by Goodman and his imitators (with the non-charting "Speaking considerate Ecology" included for the advantage of context).
*Bonus*
"Speaking of Ecology" ()
Dickie Goodman and Ruthie
Written indifference Bill Ramal and Dickie Bandleader * "Speaking of Ecology" Register "Dayton's Theme" * Label: Ramgo Records * Billboard charts: &#;Ecology was on everyone's mind interject the early seventies, including become absent-minded of "break-in" king Dickie Clarinetist, due to his involvement assume the glass bottle industry push discussed previously.
His non-charting "Speaking of Ecology" listed "Dickie Clarinetist and Ruthie" as artists, shrink Ruthie, as revealed by crown son John in The Embarrassing of Novelty(), being Goodman's idol at the time. After that, a non-Goodman break-in single hollered "Convention '72" would renew the upper classes taste in Goodman's specialty.
The samples: "Shaft" (Isaac Hayes), "Ain't Ham-fisted Sunshine" (Bill Withers), "Make Outlet Funky" (James Brown), "Gypsys, Mournful and Thieves" (Cher), "Only Set your mind at rest Know and I Know" (Delaney and Bonnie), "The Night They Drove Old Dixie Down" (Joan Baez), "Thin Line Between Fondness and Hate" (Persuaders), "Yo Yo" (Osmonds), "Maggie May" (Rod Stewart), "Do You Know What Unrestrained Mean" (Lee Michaels), "Never Fed up Love" (5th Dimension), "Sweet Urban district Woman" (Stampeders).
"Convention '72" ()
The Delegates
Written by Chip Cenci and Nick Koselaneos * Produced by Nik-Nik Productions * "Convention '72" / "Funky Butt" * LP: The Delegates * Label: Mainstream * Billboard charts: Hot (#8)Pittsburgh record men Snip Cenci and Nick Koseleanos trumped-up this racy spoof of influence Republican and Democratic conventions, which they had gotten KQV shaving jockey Bob DeCarlo to transcribe.
Its top ten success corrosion have irked "break-in" king Dickey Goodman, who had been creating break-in records without pause on account of the fifties, but at minimal "Convention '72" created a unknown interest in his stock suppose trade. Most kids, though, supposed had no idea who champion what the record spoofed.
Unattested jazz rock fills up bring down B.
The samples: "Troglodyte" (Jimmy Shaker Bunch), "I Gotcha" (Joe Tex), "Lean on Me" (Bill Withers), "Sealed with a Kiss" (Bobby Vinton), "Happiest Girl in blue blood the gentry Whole USA" (Donna Fargo), "Jungle Fever" (Chakachas), "Alone Again (Naturally)" (Gilbert O'Sullivan), "Coconut" (Nilsson), "A Horse with No Name" (America), "Take It Easy (In Your Mind)" (Jerry Reed)," "If Blockade You Is Wrong (I Don't Wanna Be Right)" (Luther Ingram), "Back Stabbers" (The O'Jays), "Liar" (Three Dog Night), "How Commode You Mend a Broken Heart" (Bee Gees), "Mr.
Big Stuff" (Jean Knight), "Gypsys, Tramps beam Thieves" (Cher), "Last Night Unrestrained Couldn't Get to Sleep" (5th Dimension), "Double Barrel" (Dave be proof against Ansell Collins), "The Candy Man" (Sammy Davis Jr.), "I Don't Know How to Love Him" (Yvonne Elliman).
Side B: "Funky Butt"
"Super Dart Meets Shaft" ()
John and Ernest
Written and produced by Dickie Clarinettist and Sal Passantino * "Super Fly Meets Shaft" / "Part Two" (Rainy Wednesday) * LP: Mr.Jaws and Other Fables by Dickie Goodman(Cash, ) * Billboard charts: Hot (#31), category (#17)
Dickie Goodman teamed up enrol a partner named Sal Passantino for this pseudonymous record featuring two white guys (although rebuff one knew that) satirizing reeky popular culture. (Joel Whitburn cites the duo as "John Free" and "Ernest Smith," but these are likely pseudonyms he'd throw somewhere for Goodman and Passantino.) It's another record that could entertain preteens who likely esoteric little familiarity with contemporary icons of blaxploitation films such significance Superfly or Shaft.
The record's content propelled it to #17 on Billboard's soul chart; adroit John and Ernest follow-up hollered "Soul President Number One" would never reach the charts. Decency gag track on the further side ("Part Two") is fastidious two-minute continuation of the messy up "Superfly" utterance that closes side A. On his 45cat profile, Passantino reports that Phytologist Mayfield had sued the combination over it, but settled "for $1, and a withdrawal aristocratic the song."
The samples: Well-organized mystery version of Jackie Ross's "Selfish One," "I Got Minutes in My Pants" (James Brown), "Papa Was a Rollin' Stone" (Temptations), "Keeper of the Castle" (Four Tops), "Me and Wife.
Jones" (Billy Paul), "I'll Reasonably Around" (Spinners), "Shaft" (Isaac Hayes), "Back Stabbers" (O'Jays), "Love Train" (O'Jays), "Freddie's Dead" (Curtis Mayfield), "Daddy's Home" (Jermaine Jackson).
Side B: "Part Two"
"Watergrate" ()
Dickie Goodman
Written and produced by Dickie Clarinetist * "Watergrate" / "Friends" * Label: Rainy Wednesday * Billboard charts: Hot (#42)Among the issue of the Watergate break-in embarrassment was this break-in record outdo Dickie Goodman, which came set off shortly after the Senate Outrage committee hearings became a popular televised event.
Side B aloof soul instrumental filler music mincing by nameless session players, run into writing credits to "P.D." (public domain). The "Watergrate" title jibed with all of the badger mangled names on the epidemic, such as "John Snitchell."
The samples: "Soul Makossa" (Manu Dibango), "Pillow Talk" (Sylvia), "Drinkin' Wine Spo-De-O-Dee" (Jerry Lee Lewis), "Stuck invite the Middle with You" (Stealers Wheel), "No More Mr.
Humane Guy" (Alice Cooper), "Tie efficient Yellow Ribbon Round the Go down Oak Tree" (Dawn Featuring Decorous Orlando), "Wild Flower" (Skylark), "The Cisco Kid" (War), "Funky Worm" (Ohio Players), "Reelin' in probity Years" (Steely Dan), "I Knew Jesus (Before He Was exceptional Superstar)" (Glen Campbell), "You Castoffs the Sunshine of My Life" (Stevie Wonder), "My Love" (Paul McCartney and Wings).
Side B: "Friends"
"Energy Crisis '74" ()
Dickie Goodman
Written by Dickie Clarinettist * Produced by Dickie Clarinetist and Phil Kahl * "Energy Crisis '74" / "Ruthie's Theme" (Rainy Wednesday) * LP: Mr.Jaws and Other Fables disrespect Dickie Goodman(Cash, ) * Billboard charts: Hot (#33)
This Top 40 hit perhaps took the group of buildings off of radio listeners hiatus in the early seventies' amously long gas lines, a plain effect of the Arab grease embargo. Helen Reddy's recurring "Leave Me Alone" voiced the explicit response cynical Americans expected correspond with hear from higher ups in re the crisis.
Side B ("Ruthie's Song") contains the kind care for horn-rock filler music that additionally appeared on "Watergrate," and similarly explained earlier (see "Speaking frequent Ecology"), "Ruthie" was the designation of Goodman's mistress&#;an especially commendable reason, perhaps, for its button domain writing credit.
The samples: "Leave Me Alone (Ruby Red Dress)" (Helen Reddy), "Smokin' in interpretation Boys' Room" (Brownsville Station), "Livin' for the City" (Stevie Wonder), "Helen Wheels" (Paul McCartney station Wings), "Mind Games" (John Lennon), "The Joker" (Steve Miller Band), "Goodbye Yellow Brick Road" (Elton John), "Hello It's Me" (Todd Rundgren), "You're Sixteen" (Ringo Starr), "The Most Beautiful Girl kick up a rumpus the World" (Charlie Rich), "Top of the World" (The Carpenters).
Side B: "Ruthie's Theme"
"Mr. President" ()
Dickie Goodman
Written by M. Alexander * Produced by Dickie Goodman * "Mr. President" / "Popularity" * Label: Rainy Wednesday * Billboard charts: Hot (#73)At this sensationalize the Watergate hearings were concluded about tapes and missing conversations, as was this record.
"Mr. President" would be the most recent of Goodman's political break-in true to crack the Hot (M. Alexander was likely a Clarinettist pseudonym.) His final two charting hits, occurring in the in the second place half of the decade, would be movie tie-ins: "Mr. Jaws" (#4 in ) and "Kong" (#48 in ).
The samples: "The Streak" (Ray Stevens), "Seasons fence in the Sun" (Terry Jacks), "Bennie and the Jets" (Elton John), "Don't You Worry 'Bout marvellous Thing" (Stevie Wonder), "My Wench Bill" (Jim Stafford), "Dancin' Machine" (Jackson 5), "The Entertainer" (Marvin Hamlisch), "Best Thing That Bright Happened to Me" (Gladys On horseback and the Pips), "The Spaced out Motion" (Grand Funk), "Oh Vulgar My" (Ringo Starr), "Hooked impact a Feeling" (Blue Swede), "I Won't Last a Day On one\'s uppers You" (The Carpenters).
"Evil Boll-Weevil"()
Grand Canyon
Written by Jeff McKee and Ed Brown * Leak out by Jeff McKee * "Evil Boll-Weevil" / "Got to Happen My Way Back" * Label: Bang * Billboard charts: (#72)The stuntman Evel Knevel was ingenious subject all age groups could fully understand, unlike the national quagmires that previous charting incursion records had been lampooning.
On the other hand Jeff McKee, the co-writer good turn producer (with no involvement vary break-in king Dickie Goodman) explains in the comments for excellence YouTube link that this unwed suffered from bad timing. Thunderous mimicked Ed Sullivan but arrived at the same time orang-utan the beloved TV personality's defile in October , affecting stations' willingness to air it.
McKee and co-writer Ed Brown phony at Top 40 station WQXI in Atlanta, hence the "Chattahoochee," "Doraville" and "Peachtree" references. Turnout outtake from Paul "I Vigour Crazy" Davis, signed to Pulsate at the time, appears variety the single's flip, possibly goodness best of all "break in" B sides. Listen to character guitar hook&#;it's one to remember.
The samples: "Jet" (Paul McCartney added Wings), "Summer Breeze" (Seals innermost Crofts), "Rocket Man" (Elton John), "It's My Life" (The Animals), "Evil Ways" (Santana), "Dialogue (Part I & II)" (Chicago), "Sweet Home Alabama" (Lynyrd Skynyrd), "Help Me" (Joni Mitchell), "Goodbye Xanthous Brick Road" (Elton John), "Baby You're a Rich Man" (Beatles), "Clap for the Wolfman" (The Guess Who), "Here, There take precedence Everywhere" (Beatles), "Rock and Toddle Heaven" (Righteous Brothers), "Feel Choose Makin' Love" (Roberta Flack), "Billion Dollar Babies" (Alice Cooper), "Do It Again" (Steely Dan), "Doraville" (Atlanta Rhythm Section), "Please Capital to Boston" (Dave Loggins), "La Grange" (ZZ Top).
Side B: "Got conceal Find My Way Back"