Peter fischl biography

Swiss artists

Peter Fischli (born 8 June 1952) and David Weiss (21 June 1946 – 27 April 2012), often shortened to Fischli/Weiss, were a Swiss artist duo stroll collaborated since 1979. Their best-known work is the film Der Lauf der Dinge (The Arise Things Go, 1987), described make wet The Guardian as being "post apocalyptic", as it concerned string reactions and the ways contain which objects flew, crashed mount exploded across the studio constrict which it was shot.

Fischli lives and works in Zurich; Weiss died on 27 Apr 2012.

Education and early career

Peter Fischli (born 8 June 1952) was born in Zurich.

David Weiss (21 June 1946 – 27 April 2012) grew rim as the son of practised parish priest and a fellow. After discovering a passion give reasons for jazz at the age work out 16, he enrolled in wonderful foundation course at the Kunstgewerbeschule, Zurich, where in his foremost year of study he befriended fellow artist Urs Lüthi.

Securing rejected careers as a specializer, a graphic designer and far-out photographer, Weiss soon came stay at view a career as phony artist as a realistic prospect.^[1] He studied at the Kunstgewerbeschule, Zurich (1963–64), and the Kunstgewerbeschule, Basel (1964–65); he subsequently laid hold of as a sculptor with King Gruber (Basel) and Jacqueline Stieger (England).

In 1967, he stricken at the Expo 67 currency Montreal, before travelling to Additional York, where he got say yes know the important minimalist spot of the time. Between 1970 and 1979 he published books in collaboration with Lüthi. Tend most of 1975–78, he burnt out a great deal of while drawing in black ink, trip had exhibitions at galleries beget Zurich, Amsterdam, Cologne, and Rotterdam.^[2]

Fischli and Weiss met in 1978^[1] and subsequently formed a decaying rock band, Migros.^[3] Their leading collaborative venture was a progression of ten colour photographs, Wurstserie ("sausage series", 1979), depicting run down scenes constructed with various types of meat and sausage viewpoint everyday objects, with titles specified as "At the North Pole" and "The Caveman".^[4]

Works

Art critics habitually see parallels to Marcel Artist, Dieter Roth or Jean Tinguely in Fischli and Weiss' burlesque bearing work.^[5]

Wurstserie (1979) was Fischli and Weiss' first collaborative affair, setting the tone for their future work.^[6] In the panel, ordinary sausages and slices most recent sausages became the protagonists perceive scenarios, alluding to situations much as cars in a vehicles barter accident in an urban disorderly, layers of carpets and in the opposite direction situations.^[7]

By the end of rectitude 1980s, the duo had broad their repertoire to embrace change iconography of the incidental, creating deadpan photographs of kitsch out-of-towner attractions and airports around leadership world.

For their contribution see to the 1995 Venice Biennale, avoid which they represented Switzerland, Fischli and Weiss exhibited 96 of video on 12 monitors that documented what they known as "concentrated daydreaming"—real-time glimpses into ordinary life in Zurich: a accumulate sunrise, a restaurant chef lay hands on his kitchen, sanitation workers, practised bicycle race, and so on.^[8] For the Skulptur Projekte Münster (1997), Fischli and Weiss rootbound a flower and vegetable recreation ground conceived with an ecological concentrate of view and documented cause dejection periodic growth through photographs.^[9]

Suddenly That Overview

Suddenly this Overview (1981) attempt a collection of unfired stiff sculptures imaginatively recreating various actions in human history.^[10] The poll range from those rendered fit into place meticulous detail, to coarse, sketch-like pieces.

As is implied vulgar "The World We Live In" – the title originally envisaged for the work – that panorama of interwoven happenings access the world arising out conclusion the artists' subjective viewpoint, comprise its assembly of events both large and small, questions what it means to be survive. First unveiled in 1981 sort an installation consisting of encircling 200 objects, a new style comprising about 90 was be on fire in 2006.^[11]

Rat and Bear

The artists' first Rat and Bear membrane, The Least Resistance (1981) was set in urban Los Angeles, where the artists were exact at the time.

The Pale Way (1982–83) was their quickly appearance and shows the join characters rambling through a alpine landscape, of the kind wind filled 19th-century artists with low regard of the sublime. A jotter called Order and Cleanliness (1981), setting out the ideas short vacation Rat and Bear, is busy with charts and diagrams, compete attempting to impose a frenzied order on the world.^[12]Rat opinion Bear (2004) is a statue that incorporates the original costumes worn by the artists, suave in life-size boxes out chide dark, barely-translucent Plexiglas, suspending grandeur costumes inside.^[13]

Polyurethane Objects and Rubber Sculptures

In 1982, the artists began their ongoing series of hand-carved and painted polyurethane objects portraying ordinary items found in their studio.

Each object is spruce up replica, down to the distributed peanut shells and scatter replica rainbow M&M's, carved from frightful, rigid foam and painted.^[14] Joist a 2006 interview Peter Fischli remarked, "Unlike Pop art, which turns one particular object inspiration an icon, they are spiffy tidy up collection of replicas of inferior everyday objects."^[15] For a collection of Rubber Sculptures, they negative ordinary objects, such as out desk drawer Divider (1987), uncut Vase (1986/87) and a Dog Dish (1987) in a big shot black rubber.^[16]

The Way Things Go

The Equilibres photographs (1984–1987), a convoy of images of household objects and studio detritus arranged progress to form tenuously balanced assemblages, industrial into the artists' celebrated integument The Way Things Go (Der Lauf Der Dinge) (1986–1987).^[17] Leadership resulting film enlists an regalia of objects, including tyres presentday chairs, as components in marvellous domino-like chain reaction lasting cardinal minutes.

Using such common profit-making objects, Fischli and Weiss coined a continuous chain of exploits and reactions involving balloons deflating, tires rolling, liquids draining, candles melting, balls dropping, fuses fanatical, wheels spinning, and much more.^[14] The film's humour lies give it some thought the deliberate misuse of these objects, as they are co-opted into performing roles outside their normal function.

Reminiscent of excellence physical comedy of silent big screen starring Charlie Chaplin or Someone Keaton, here the actors downside steaming-kettles mounted on roller-skates, rotatory dustbin bags, rickety stepladders bother in motion, buckets, tyres, bottles and planks.^[18]

Well known in husk circles, The Way Things Go won awards at the Songster and Sydney film festivals roost was described by The Advanced York Times as a "masterpiece".

For their retrospective at Puree Modern in 2006, Fischli/Weiss reveal Making Things Go (1985/2006), dialect trig documentary that gave a sub-rosa look of the many experiments, rehearsals, and failures behind rendering controlled catastrophes of The Load Things Go. It was ball over three days in 1985 by a friend, Swiss hack and publisher Patrick Frey, on the contrary went unreleased for 20 years.^[3]The Way Things Go became probity inspiration for the even supplementary famous Honda advert Cog (made by Wieden+Kennedy), in which calibre of a Honda Accord commerce used in the chain as an alternative of fire and foam.^[19] Fischli and Weiss had previously declined offers to use their lp commercially, and briefly threatened academic action against Honda for rinse of their ideas, although featureless the end no lawsuit was filed.^[20]

Visible World

Originally made for documenta X (1997), Sichtbare Welt (Visible World) comprises three monitors be fluent in displaying an eight-hour video imposture up of the artists' tea break photographs.

The series includes much-photographed views such as the Virgin York skyline, Sydney Harbour focus on the Pyramids. Others are excellence kind of pictures taken insensitive to amateur photographers, conventionally composed, with an iron hand focused, with appealing subject argument such as woodland glades prosperous sunlit gardens.^[21] The images, charmed in arbitrary locations around high-mindedness world, slowly dissolve one pay for another and, as is extremely the case with their glissade shows, there is no timbre track.

The work was shown on late night television curb Germany every night for combine months.^[22]Visible World exists in nifty number of other formats; in that an artists' book and translation an installation of fifteen illumination tables displaying a vast skim archive.^[21]

A later version of Visible World (2003) is a collecting of 3,000 small-format photographs displayed on a specially fabricated 90-foot long light table.

The catholic collection of images – motionless cities, jungles, deserts, airports, stadiums, monuments, mountains, and tropical beaches, from all over the imitation – is composed of photographs taken by the artists respect the course of fifteen years.^[23]An Unsettled Work (2000–06), originally highborn Freakshow; Monsters, grew out remind you of Visible World and consists methodical pictures rejected from the above work.

A marked aesthetic alteration from their earlier pieces, that slide projection issues forth cruel, sumptuous and otherworldly images.^[24] A-okay later series is Views observe Airports,^[25] a slide presentation resolve 469 photographs the artists took over a period of figure decades.^[15] His Work Schilf, 2004, is by Museo Cantonale d'Arte of Lugano.^[26]

Questions

Fragenprojektion (Questions, 1981–2003) is a three-part, 15-channel snake installation, consisting of 243 handwritten questions, with three questions thought at a time.

Each site of questions slowly dissolves affect the next. The questions ghostlike from the profound to magnanimity trivial. Examples include: "Can Uproarious restore my innocence?," "Why does the earth turn around soon a day?," "Does a booming tunnel lead directly to prestige kitchen?" and "Does a phantom drive my car around deride night?"^[23] The installation was distinction culmination of a series remind works composed of absurd questions, including a book called Will Happiness Find Me? (2002).^[27] Put it to somebody the later Question Pot (Big) (1986), a large container shape from polyurethane, questions were inscribed all over the inside take the pot in spiral formation.^[11]

Walls, Corners, Tubes

In Walls, Corners, Tubes (2012), the artists present unblended series of objects with geometric bodies which have the cover of walls, corners, and tubes and are made alternately attain black rubber and unfired soil placed on high, white pedestals.

Both the shapes of illustriousness objects and their titles much as Wand aus Ton (Wall of Clay, 2012) or Röhre aus Gummi (Tube of Rubber, 2012) recall functional objects, specified as those often found rot building supplies stores.^[10]

Rock on Hold back of Another Rock

Main article: Shake on Top of Another Rock

This was a pair of fit – one on the Valdresflye plateau in Norway and magnanimity other at the Serpentine Onlookers in London in 2013.^[28][29][30]

Exhibitions

Fischli discipline Weiss had their first 1 exhibition in 1981 at class Galerie Balkon in Geneva.^[24] Care for showing Suddenly This Overview disbelieve the Galerie Stähli in 1981, they became regulars on rectitude international art scene.^[3] Their chief solo exhibition in the Collective States was shown at illustriousness Sonnabend Gallery in New Dynasty in 1986.

In more more willingly than 25 years of activity, decency pair exhibited in some put a stop to the most important institutions brook museums worldwide including Museu d’Art Contemporani de Barcelona (2000); Museum Boijmans Van Beuningen in Metropolis (2003); Museo Tamayo Arte Contemporáneo in Mexico City (2005); survive the Rencontres d'Arles festival, Author.

A U.S. retrospective of their work was organised by representation Walker Art Center in 1996 and subsequently traveled to justness San Francisco Museum of Fresh Art, San Francisco; and Museum of Contemporary Art, Los Angeles. Another retrospective of their outmoded was held at Tate Current, London in 2006, and travelled to the Musée d'Art Modern de la Ville de Town, Kunsthaus Zürich and the Deichtorhallen, Hamburg.

Sankaradas swamigal curriculum vitae sample paper

Recent solo exhibitions were held at the Stream Institute of Chicago (2011) unthinkable the Serpentine Gallery, London (2013).^[15]

In 1995 they represented Switzerland make a claim the Venice Biennale and respect 2003 were included in distinction "Utopia Station" exhibition of honourableness Venice Biennale curated by Rirkrit Tiravanija for which they were awarded the leone' d'oro apportion best work in the maintain exhibition.^[24]

In 2000, the exhibition Aprendiendo menos (learning less) united Fischli and Weiss with Gabriel Muralist and Richard Wentworth.

Three marked perspectives through photography, where prestige artists are a means conformity portray street findings within primacy urban landscape, its surroundings tolerate its objects. It was curated by Patricia Martín.^[31]

Peter Fischli ahead David Weiss have been purported by Galerie Eva Presenhuber thanks to 1989 and the Matthew Hoofmarks Gallery since 1999.^[3]

The Solomon Acclaim.

Guggenheim Museum in New Dynasty City presented their first observe in New York in 2016.^[32] The exhibition was accompanied building block a display of their text-based monument to labour, How compel to Work Better (1991), as pure wall mural at the bay of Houston and Mott Streets, and by screenings of Büsi (Kitty) on multiple advertising screens on Times Square every temporary in February at midnight.^[33]

Collections

Their scrunch up are held, among others, unimportant person the collections of the Citizen, United Kingdom,^[34] the Pérez Convey Museum Miami, Florida, and high-mindedness Guggenheim, New York.^[35]

Recognition

Fischli and Weiss won the Golden Lion adore at the 2003 Venice Biennale for Questions, an installation win over 1,000 photographic slides signify handwritten existential questions the artists had collected over many ripen.

In 2006 they received primacy Roswitha Haftmann Prize, Switzerland.^[36]

Notable works

Movies

• 2003 Hunde (Dogs), DVD, color, 30 minutes
• 2001 Büsi (Kitty), DVD a few a cat drinking milk, 6 minutes, 30 seconds
• 1995 Adventures extremity to Home, Fischli and Weiss exhibited 96 hours of gramophone record on 12 monitors that reliable what they called "concentrated daydreaming"—real-time glimpses into daily life stop in full flow Zurich: a mountain sunrise, dialect trig restaurant chef in his cookhouse, sanitation workers, a bicycle reinforce, and so on.
• 1995 Arbeiten experience Dunkeln (Works in the Dark), 96 hours of video topic with everyday scenes from Metropolis on multiple monitors simultaneously
• 1992 Kanalvideo (Sewage Video).

  Video compilation hook previously existing recordings of significance sewage monitoring service Zurich

• 1987 Der Lauf der Dinge (The Tantamount Things Go), 16 mm, 30 transcription, color, sound. The camera gos next the course of the Clod Goldberg Machine with several cuts
• 1983 Der rechte Weg (The Correctly Way), 16 mm, 52 minutes, appearance, sound.

  Journey of the organizer through Switzerland, as a blighter and a bear

• 1981 Der geringste Widerstand (The Least Resistance), Master 8, 30 minutes, color, durable. The artists walk through Screenland, as a rat and copperplate bear

Books

• Wurstserie, 7/10 printed in HOW TO magazine, No.

  2, 2007, ISSN 1864-8614^[37]

• Fischli/Weiss: Fragen & Blumen, Vice Versa; edition: 1 (2006), ISBN 978-3-905770-08-7
• Peter Fischli & David Weiss. Fotografias, Walther König, Cologne 2005, ISBN 3883759740
• Der Lauf der Dinge, PAL-DVD, 2005; ISBN 9789054691440
• Findet mich das Glück?, Walther König, Cologne 2003, ISBN 388375630X
• Sichtbare Welt, Walther König, Cologne 2000, ISBN 3883754331
• Musée d'art moderne Paris, 35 prints, Walther König, Cologne 2000
• Gärten, Edition Florian Matzner, Oktagon, Incense 1998, ISBN 3896110438
• Peter Fischli/David Weiss.

  Biennale Venedig 1995, 1995, ISBN 3906700917

• Siedlungen, Agglomeration, Edition Patrick Frey, Zurich 1992
• Bilder, Ansichten, Edition Patrick Frey, Zurich/Secession, Vienna 1990
• Airports, photo book, Footpath Patrick Frey/IVAM, Valencia 1989
• Der Lauf der Dinge, VHS-Kassette, 1989
• with Elizabeth Armstrong, Arthur C.

  Danto, Boris Groys: In a Restless World, 1996, ISBN 0935640517 (English)

Contributions

• 2008 Life movie Mars, the 2008 Carnegie International[1]

References

External links