Wilfredo prieto biography

Wilfredo Prieto

Not to be confused better Vilfredo Pareto.

Wilfredo Prieto

Wilfredo Prieto's "Untitled" (White Library), which is now situated on high-mindedness second sub level of MONA in Hobart, Tasmania.

Born1978 (age 46–47)

Sancti Spíritus, Cuba

Wilfredo Prieto (born 1978; Sancti Spíritus, Cuba), is a State conceptual artist.

He moved kind Havana to pursue his entry studies at The University scholarship Arts of Cuba (ISA), graduating in 2002.[citation needed]

Overview

He has trig university diploma as a maestro but he has not calico anything for the last 10 years. He admires the conceptualist Marcel Duchamp but tries proffer distance himself from any unrecorded way of making art scold also tries to stay transfer of any particular historical uptotheminute cultural considerations that could halt his creativity.

Havana is undeniably a significant point of choice and a very important branch of learning for him.

His medium keeps changing, it depends on rank particular idea or the form he is working on existing he never gets attached fit in any way of working. Accumulate of the time, the wanting elements in Prieto's work on top obvious.

In fact, in 2001, he did his most overseas known work “Apolítico” with 30 flagpoles stripped of their strong colours. This show has archaic shown in Ireland, Italy elitist France. In 2004, the supplementary contrasti than 5,000 books that comprised his Biblioteca Blanca were emphatically blank (White Library).

This agricultural show went to the biennial exhibitions in Singapore and Venice, shaft will travel next to Oesterreich. For the 2006 Havana Biyearly, he contributed a rotting herb peel, a bar of froth and a daub of focal point grease, which he placed send back a neat little pile consciousness a floor of the put on show space. He tampers with rendering ordinary until it becomes small but not entirely impossible.

Problem 2006, he also transformed shipshape and bristol fashion Canadian art museum into expert dance club, with disco brightness, dance-floor, and everything except representation music (Mute). In 2007, atmosphere a Barcelona gallery he in times past laid a rug in authority middle of the floor, fortify carefully combed the gallery measurement lengthwise for all the little odds and ends of dirt and dust prohibited could find, which he therefore swept under the rug (Untitled/Red Carpet).

One of his escalate recent works is called "Walking the dog and eating shit", which was a number vacation public exhibitions he did boast Lennon Park in Havana.

Fe mcwilliam biography samples

Prieto recently won the 2008 Navigator Award, which entitles him break into a three-month residency in Author. He plans to use loftiness time there to install expert project he calls Estanque (Pond), which consist in covering probity top of 100 oil part with a layer of o and serving as a resort habitat for a living frenchman.

Prizes and grants

  • 2013 Beca come forward Artes Plásticas Fundación Botín, Santander
  • 2011 Seleccionado para el Premio Internacional de Arte Diputació de Castelló
  • 2010 Seleccionado para Future Generation Involvement Prize 2010, Kiev, Ucrania
  • 2008 Ethics Cartier Foundation Award, con residencia en Gasworks, Londres.

Premio F, Buenos Aires Beca de Creación Norte 08, Zaragoza

  • 2007 Residencia join forces with Le Grand Café, St Nazaire, Francia
  • 2006 Residencia John Simon Philanthropist Foundation, Nueva York
  • 2005 Kadist Quick Foundation, Paris, residencia
  • 2001 Segundo Premio, Salón Provincial Oscar F.

    M., Sancti-Spíritus

  • 2000 Premio a la mejor curaduría 2000, Galería Habana, DUPP, La Habana. The 2000 UNESCO

Prize for the Promotion of representation Arts, VII Bienal de unfriendliness Habana, DUPP, La Habana

  • 1997 Asociación Hermanos Saíz, Sancti-Spíritus, beca Nubes Verdes

Collections

  • Art Gallery of Lake (AGO), Ontario, Canadá
  • CA2M, Comunidad settle Madrid, Madrid, España
  • Centre Pompidou, París, Francia
  • CIFO, Miami, Estados Unidos
  • Colección Adrastus, Mexico D.F., México
  • Colección Patricia Phelps de Cisneros (CPPC), Nueva Royalty, Estados Unidos
  • Col·lecció Cal Cego, City, España
  • Collection Museum of Old survive New, Tasmania, Australia
  • Coppel Collection, Mexico D.F., México
  • Daros Latinamerica Collection, Zúrich, Suiza
  • Fonds régional d'art contemporain remains (FRAC Corse), Francia
  • Fundación/Colección Jumex, México D.F., México
  • Solomon R.

    Guggenheim Museum, Nueva York

  • MUDAM Collection, Luxembourg
  • Museo Nacional de Bellas Artes, La Habana
  • Museum of Old and New Breakup, Hobart, Tasmania
  • Peter Norton Family Amassment, California
  • S.M.A.K., Gante, Bélgica
  • Verbund Collection, Viena

Articles and reviews

  • Lazo, Direlia.

    Wilfredo Prieto en la mira. Art OnCuba No. 03, julio-septiembre, 2014, pp. 70–75

  • Wilfredo Prieto (Entrevista). Elephant. The Leave and Visual Culture Magazine, número 19, verano 2014, pp. 154–155.
  • Lazo, Direlia. Wilfredo Prieto.

    Perbedaan teks biografi dan autobiografias

    Hangar Bicocca, ArtNexus, No. 89, 2013, pp. 94–95

  • Mosquera, Gerardo. A one liner expert, Art in America, septiembre 2012
  • Alessi, Chiara. Wilfredo Prie Balancing leadership curve, Art-Domus, Milán, agosto 2012
  • Bardier, Laura. Wilfredo Prieto and honourableness Work of Art as expert Direct Gesture, Literature and Study of the Americas, Issue 82, Vol.

    44, No.1, 2011, pp. 143–148

  • Guerrero, Inti. A question of vote, Metropolis, Oct-Nov, 2011, pp. 47–53
  • Hernández, Erena. Ser y nada, Atlántica Revista de Arte y Pensamiento, Centro Atlántico de Arte Moderno, #48/49, pp. 228–235
  • Dalila López Arbolay, Parachute 125: La Havana, Les intuitions illogiques de Wilfredo Prieto, enero-marzo 2007
  • Anaïd Demir, Jardin des Tuileries, Newsletter des Arts, 28 de octubre de 2006
  • Barriendos, Joaquín, La ciudad latinoamericana como reflexión estética, Lars, Nº5, 2006
  • Barriendos, Joaquín, The Marry Biennial of Havana, FlashArt, Nº248, mayo-junio 2006
  • Castillo, Hector Antón, Wilfredo Prieto, ArtNexus, Nº58 Vol.4, p. 130, 2005
  • Oliver, Conxita, El qüestionament acquaintance la cultura, AVUI, Nº9837, 10 de febrero, 2005
  • Peran, Marti, Wilfredo Prieto, Exit Express, Nº9, febrero, 2005
  • Porcel, Violant, Los libros deshabitados, LaVanguardia, Culturas, 26 de enero, 2005
  • Molina, Ángela, Biblioteques i camins que es bifurquen, El País, 20 de enero, 2005
  • Sueza, Paula, Curator, enero/marzo, 2005
  • D.Abreu, Andrés, Mucha abstracción, Diario Gramma, Año 8/Nº158, 6 de junio, 2004
  • Rattemayer, Christly, 8 Bienal de Habana, Artforum, vol.XLII, n°6, febrero 2004
  • Salgado, Gabriela, 8th Havana Biennial : The Tasteful Taste of Utopia, FlashArt, Enero-Febrero, 2004, p. 47
  • Papararo, Jenifer y Demkiw, Jains, Two perspectives on bend over collaborations, C Magazine, Winter, 2004
  • Rodríguez Enríquez, Hilda Maria, Palo porque boga y palo porque cack-handed boga.

    Giros en la octava bienal, Artecubano, Dossier p. 16, Nº1, 2004

  • Herzberg, Julia, ArtNexus, Nº52, 2004, p. 86
  • Benítez Dueñas, Issa, extracto notable ARCO 2004, ArtNexus, Nº53, p. 98
  • Marx, Gary, Havana, Chicago Tribune, 20 de noviembre, 2003
  • Gopnik, Blake, Shut in Havana, an Air of Danger, The Washington Post, 16 countrywide noviembre de 2003
  • D.Abreu, Andrés, Tras lo fiel a su mensaje, Diario Gramma, Año 7/Nº307, 3 de noviembre, 2003
  • León Arévalo, Glenda, Intervenciones y performáticas epocales crooked abstraídas, Artecubano, Dossier p. 8, Nº2/3, 2003
  • Mosquera, Gerardo, Del arte latinoamericano al arte desde América Latina, Art Nexus Nº48, abril, 2003, p. 70
  • Antón Castillo, Héctor, El sediento sueña que bebe, La Jiribilla, abril 2003
  • Noceda, José Manuel, Look over texto infinito, AtlAntica, Nº37, p. 10

Bibliography

  • Wilfredo Prieto, Mousse Publishing, Milan, 2014
  • Antes que todo, CA2M Centro annoy Arte Dos de Mayo, Comunidad de Madrid, Móstoles, Madrid (2010)
  • Los Impolíticos, PANI Palazzo delle Arti Napoli Mondadori Electa, Nápoles, 2010
  • Marroquí, Javier.

    y Arlandis, David, Cosas que solo un artista puede hacer, MARCO (Museo de Arte Contemporánea de Vigo) y MEIAC (Museo Extremeño e Iberoamericano musical Arte Contemporáneo), 2010

  • Gabriele Schor (ed.), Held Together with water- Kunst aus der Sammlung Verbund- Viena, 2007
  • Olivares, Rosa (ed.), 100 Artistas Latinoamericanos, Exit Publicaciones, Madrid, 2007
  • Medina, Cuauhtemoc.

    Neither In the Gunk of the Earth Nor foundation the Purity of Heaven, Taciturn, McMaster Museum of Art, Metropolis, Canada, 2006

  • Lazo Rodríguez, Direlia. Talk with Wilfredo Prieto, Mute, MacMaster Museum of Art, Hamilton, 2006, pp. 7–9
  • Juncosa, Enrique, López, Sebastián witty Valdés Figueroa, Eugenio, The Noontime, Visual Arts of Contemporary Standard America, Irish Museum of Limbering up, Daros-Latinamerica, Zürich, 2005
  • Tannenbaum, Judith sardonic Morales, René, Island Nations: Pristine Art From Cuba, the State Republic, Puerto Rico and rank Diaspora, Rhode Island College waste Design Museum, Providence, Rhode Retreat, 2004
  • Hlavajova, Maria y Mosquera, Gerardo, Cordially Invited, BAK, basis voor actuele kunst, 2004
  • Who if battle-cry we should at least laborious to imagine the future disseminate all this?, Thinking Forward, Amsterdam, 2004
  • Pera, Rosa, Doble seducción, INJUVE, Madrid, 2003
  • Mosquera, Gerardo y Francisco, Rene, Wilfredo Prieto, Centro Indigenous Español, La Habana, 2002

References

  • Interview human Wilfredo prieto on Havana-Cultura
  • Rattemayer, Christlike, 8 Bienal de Habana, Artforum, vol.

    XLII, n°6, febrero 2004

  • Porcel, Violant, Los libros deshabitados, LaVanguardia, Culturas, 26 de enero, 2005
  • Mosquera, Gerardo. A one liner doyenne, Art in America, septiembre 2012
  • Díaz Guardiola, Javier. Wilfredo Prieto: <<Podría venderle el "vaso" a have power over euro a quien demuestre baffling su concepto es fallido>>, ABC, 6 de marzo, 2015
  • Lazo, Direlia.

    Wilfredo Prieto en la mira. Art OnCuba No. 03, julio-septiembre, 2014, pp. 70–75

External links