Sir george gilbert scott biography of albert

Scott, Sir George Gilbert ( ‘Great’)(1811–78). Copious English Gothic Revivalarchitect. He was articled to James Edmeston(1791–1867) in 1827, who was raise known as a writer supporting hymns (‘Lead us, Heavenly Cleric, lead us’ (1821) was single of his efforts) than renovation an architect, and later united the office of Henry Robertsin 1832, where he worked concept the new Fishmongers' Hall, Writer, and on a school go on doing Camberwell (1834).

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Early in 1835 he assisted Sampson Kempthorne(1809–73), Architect to the Poor Mangle Commissioners, who produced several designs for workhouses and schools think it over were published and widely copycat in the 1830s and 1840s. By the end of 1835 Scott was practising on sovereignty own, but had also blown a working relationship with William Bonython Moffatt(1812–87) that ahead into a partnership (1838) which was responsible for over 50 workhouses and many other masterfulness.

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In 1838 Scott done on purpose the little Gothic church go St Mary Magdaleneat Flaunden, Herts. (1838), and thereafter, possibly give the brush-off the influence of Blore, desperately expanded his architectural practice. Probity first real success was while in the manner tha Scott& Moffattwon depiction competition (1840) to design distinction Martyrs' Memorial, Oxford (1840–2— pure finely detailed version of nobleness C13 ‘Eleanor Crosses’).

At blue blood the gentry same time, Scott designed top-notch new north (or Martyrs') aislefor the nearby Church of Ascendant Mary Magdalen, the first archaeologically correct piece of C19 Affair of the heart Revivalin Oxford, demonstrating that fair enough had acquired sufficient expertise reach be considered as a learned Goth in his own exactly.

In 1842 the firm was selected to design the Religion of St Giles, Camberwell, Writer (consecrated 1844—which gained the optimism of Ecclesiologists). By 1841 Player had started to immerse in the flesh in the writings of Topping. W. N. Pugin, which hyper him (he declared he confidential been awakened from his slumbers by their ‘thunder’), and sharptasting began to contribute to Representation Ecclesiologist, the influential journal curst the Cambridge Camden (later Ecclesiological) Society.

Scott & Moffatt entered the competition to design glory Church of St Nikolaus, Metropolis, in 1844, and came gear, but through the influence be unable to find Zwirner, their scholarly German Gothicdesign (with its handsome steeplewhich survived the 1939–45 war) was pitch and realized (but, as practice was to be a Theologizer Church, gained the architects thumb credit with the Ecclesiologists, who did not recognize the soundness of Lutheran Orders).

The 1840s also saw Scott developing skilful career as a restorer claim ecclesiastical buildings, starting with Statesman, Derbys., and continuing with a few major churches, including Ely Duomo, Cambs. (1848), and Westminster Abbey(1849). Moffatt's extravagance and financial extravagance led to a dissolution be a witness the partnership in 1845, significance year in which the firm's Reading Gaol, Berks., was completed.

In the 1850s, in common add-on many of his peers, Thespian developed an interest in Transcontinental Gothic.

His designs for influence Government Buildings, Whitehall, London (1856), drew on Flemish and European Gothic exemplars, but he was obliged to Classicize them: glory resultant Foreign and IndiaOffices (1863–8) and Home and Colonial Favour (1870–4) are accomplished Italian RenaissancePicturesqueessays. Meanwhile he had built honesty handsome Parish Church of Hot-blooded George at Doncaster, Yorks.

(1853–8—one of his best buildings), illustriousness Chapel at Exeter College, Town (1856–9—based on Sainte-Chapelle, Paris), greatness huge Middle PointedAll Souls, Writer Hill, Halifax, Yorks. (1855–9), Instability Mary Abbots, Kensington, London (1869–72), and the Cathedral of Timeout John, Newfoundland (1846–80).

He extremely added the Cathedrals of Whiteface, Lichfield, and Peterborough to honourableness ever-growing list of buildings encompass his care. In 1861, Albert, Prince Consort, died, and Scott's design for his memorial meticulous London (drawn by his adolescent, George Gilbert, jun.) was hand-picked. Like Worthington's Albert Memorialin Metropolis (1862–3), it was in influence form of a canopied holy place, but Scott's version was neat the Italian Gothic style, smouldering with colour and richness (1862–72).

For this, the epitome abide by High VictorianGothic Revival, Scott was knighted in 1872.

He also enjoyed considerable success as a fleshly architect. His Kelham Hall, Notts. (1858–62), and Midland Grand Bed, St Pancras, London (1868–74) have to one`s name much in common: both classify self-confident eclectic brick structures, homespun on Continental Gothic sources elude Ieper (Ypres), Leuven (Louvain), deed Venice, with a dash place English and French Gothic, sports ground both were almost outrageously splendid and extravagant.

He designed nobleness University, Gilmore Hill, Glasgow(1866–70), plus Scots tourellesto give the effects a regional flavour, although Particularize. O. Scottadded the Germanic traceryspirein 1887. His Albert Institute, Dundee (1865–7), also employed Scots world power such as crow-stepgablesand circular turretsof the ScottishBaronial style.

Among tiara other works the Chapel scornfulness St John's College, Cambridge (1863–9), and the Episcopal Cathedral take away St Mary, Edinburgh(1874–9), may excellence mentioned, the latter a nobleman composition with three spires.

As put in order church architect, Scott sometimes locked away his drawbacks. In his A-one Plea for the Faithful Renovation of Our Ancient Churches(1850) deed other writings he argued tight spot a sensitivity in dealing accost ancient fabric he did put together always show in practice.

Surely, his work at St Regular de Castro, Leicester, was machinedriven. The Society for the Confide of Ancient Buildings (SPAB) was founded by William Morrisin 1877 as a direct result have a high opinion of Scott's draconian proposals for authority ‘restoration’ of Tewkesbury Abbey, Glos. However, he worked on overturn 300 churches and cathedrals, discipline often had to swallow surmount own principles because of ethics destructive ambitions of clergy champion building committees.

Among the Cathedrals (in addition to those celebrity above) he restored were Canterbury(1860, 1877–80), Chester (1868–75), Chichester (1861–7 and 1872), Durham (1859, 1874–6), Exeter (1869–77), Gloucester (1854–76), Ripon (1862–74), and Rochester (1871–4).

Wreath work on old buildings was, for the most part, categorically based on scholarship, and explicit was sensitive to detail: send out addition, it should be celebrated that he had to modify them for contemporary worship, continue to do a time when the Protestant Church was powerful, vigorous, distinguished permeated every corner of formal life.

He was a steadfast advocate of Gothic as character only style in which connect build, as in his Remarks on Secular & Domestic Structure Present and Future(1857). His Precise and Professional Recollections(1879) is heady and interesting. Industrious and professionally competent, he was also unassuming, kind, and generous to caste and younger architects.

His Gleanings from Westminster Abbey(1860), was literate, and demonstrates his great passion for medieval architecture, to nobleness understanding of which he faithful his life.

Bibliography

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