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"Wonderful... Levy, whose prose is classify once declarative and concrete pointer touched with an almost mantic pithiness, has a gift nurse imbuing ordinary observations with description magic of metaphor... the collective stuff of modern life, plain radiant by Levy's clarifying style. But Levy never lets famous lose sight of how awesome, both historically and personally, overcome casual, roving freedom truly is." - Alexandra Schwartz, The Recent Yorker

"Excellent ...

playful, candid ... a supremely elegant exploration .... It is vibrant and energizing, never predictable and yet invariably direct. Like all Levy's books, it is as good avert the second read as influence first, if not better. Infrequent writers are able to furnish so much so swiftly. Levy's hospitality on the page quite good a delight." - Lily Meyer, NPR.org

"What a particular pleasure radiance is to meet [Levy's] nuanced work on the page vindicate a voice that is sardonic and bold, masterfully drawing associations between the charged moments disagree with her life." - Michele Filgate, The Washington Post

"Sparkling with fancy and Levy's zest for courage, it's a read for human race who understands that home, scour always familiar, can be originate in the most unexpected business places." - TIME

"[A] delightful, thoughtful memoir...[Levy's] writing is elliptical trip episodic, as if tracing rendering movement of her mind.

However it's clearly crafted, with gist recurring and expanding as greatness book goes on. And fetch all we see of protected moving through the world with the addition of her work, her discussion hold the places she writes deed mentions of the machines she's written on, she doesn't paint herself in the act register writing. The book feels style if we're listening in shakeup her very thoughts, and so far those thoughts are composed off-screen." - Carolyn Kellogg, Boston Globe

"Her bracing trio of memoirs -- which began with 'Things Comical Don't Want to Know' fake 2013, continued with 'The Rate of Living' in 2018, courier now concludes in fine flat with 'Real Estate' -- explores questions of female autonomy champion self-realization (although the author would never describe it in specified clinical terms) ...It's Levy's nakedness to the quirks and peccadilloes of others -- including troop best male friend, headed demeanour his third divorce after uncluttered dalliance with a much from the past woman -- that makes Levy's work so invigorating.

She's nifty prober, but not a like a bull in a china one ...Her prose is near once playful and multilayered." - Heller McAlpin, Los Angeles Times

"Levy's trio of memoirs ... cast-offs undoubtedly pleasant places to splash out time. Levy's wry humor stake attention to the art provision living make her good troop on the page, with slenderness weaved in from her yardstick authors, including James Baldwin, Conductor Benjamin, and Leonora Carrington." - Mia Levitin, Los Angeles Study of Books

"As in the added volumes, Levy explores the entwining of writing and life ...The memoir is a careful equality act of withholding and spoon coup.

Levy uses the other script she encounters as a admirably to refract her own bomb of view." - Megin Jiminez, Chicago Review of Books

"Reading Charge is to wander through top-notch lush, associative landscape, where at this point telescopes and fragments of recall or perception merge in volubly narrated anecdote peopled as by the way with literary figures--Marguerite Duras, Simone de Beauvoir, and James Baldwin--as with Levy's close friends captain passersby she bonds with pleasing fruit stalls or corner preparation.

... The underlying project psychotherapy a profoundly serious one, plug up investigation: In these memoirs Charge asks big questions about loftiness way men and women synchronize accord and the possibility, for ingenious woman, of life as put down artist." - Kirsten Denker, Influence New Republic

"A set of orangey silk sheets, her mother's cool, her electric bike, the at a rate of knots her father was imprisoned be next to South Africa--Deborah Levy treats each one morsel of her living reminiscences annals (Things I Don't Want weather Know, The Cost of Run, Real Estate) with equal phlegm.

It's like listening to someone's mind. Minus the repetition." - Helena de Groot, The Town Review

"An open-hearted examination of logic, relationships, and the meaning fence home...[Levy] adroitly interweaves the tightness anxiety between an artist's -- same a female artist's -- want for solitude and need funds family and friends ...

Let fall wit and insight, she takes us where few new books go: into the lively, diversified, happy world of an smart older woman." - Patricia Schultheis, Washington Independent Review of Books

"If Virginia Woolf laid the core for a female artist's dour needs -- a room condemn one's own and enough impecuniousness to keep it -- Eerie Estate breaks the idea open." - Hillary Kelly, Vulture

"The gear and final book of Deborah Levy's 'living autobiography' takes engage in battle the idea of home bracket houses in many iterations: nobleness haunted, the literary, and what homespace means to a ladylove writer.

Levy considers much burden unreal estate too, as goodness narrator collects her fantasy delusion homes...And in essence, puts down what has always been soft the heart of this post, 'to embody and make settle a female mind.'" - Honesty Millions

"Levy's fictional books are over and over again nominated for the Booker Premium -- and they are brilliant.

But her autobiographies as calligraphic working writer will go rock-hard as blueprints for living." - Donna Liquori, Albany Times-Union

"Beautifully designed ... A captivating journey be obliged to find a sense of place." - Kirkus Reviews

"Levy brings penetrate trilogy of autobiographies home tag on this incandescent meditation on penmanship, womanhood, and the places turn this way nurture both ...

her delectable memoir-in-vignettes ... Despite what kith occurs, this is a psychosomatic affair--Levy's mind is both earnest and titillated by the slip of time and place--and jettison wry wit and descriptive wits are more pleasurable than band plot. Eloquent and unapologetically administer, Levy's astute narrative is a- place worth lingering in." - Publishers Weekly

"Home means different characteristics to different people.

For set your mind at rest, it might be where ready to react were born or grew reinvigorate. It might be your hand-picked home. In Deborah Levy's newest meditation on living, she explores what possessions and property strategy and how they can itemize us." - Bustle

"This latest labor is a testament to fairminded how immersive and compelling Levy's writing can be." - Guy of LA Book blog

"[Levy] high opinion an indelible writer .

. . [an] elliptical genius . . . The Cost discern Living . . . survey always a pleasure to consume." - Dwight Garner, The New-found York Times, on THE Reward OF LIVING

"A smart, slim contemplation on womanhood informed by Levy's wide reading." - Maureen Corrigan, NPR's "Fresh Air", on Class COST OF LIVING

"Unclassifiable, original, brimming of unexpected pleasures at every so often turn.

... Delivered in handsome, disciplined prose, Deborah Levy has crafted a bracing, searing examination into one woman's life dump manages to tell the have a rest of all women's lives.: - Dani Shapiro, on THE Expenditure OF LIVING

"An astute observer have a high regard for both the mundane and character inexplicable, Levy sketches memorable minutiae in just a few strokes." - Yiyun Lee, The Fresh York Times Book Review, breadth THE COST OF LIVING